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Сказка She Was Good for Nothing - Она была хороша для настоящего [ Hans Christian Andersen ]

Сказка She Was Good for Nothing

The mayor stood at the open window. He looked smart, for his shirt-frill, in which he had stuck a breast-pin, and his ruffles, were very fine. He had shaved his chin uncommonly smooth, although he had cut himself slightly, and had stuck a piece of newspaper over the place. “Hark ’ee, youngster!” cried he.

The boy to whom he spoke was no other than the son of a poor washer-woman, who was just going past the house. He stopped, and respectfully took off his cap. The peak of this cap was broken in the middle, so that he could easily roll it up and put it in his pocket. He stood before the mayor in his poor but clean and well-mended clothes, with heavy wooden shoes on his feet, looking as humble as if it had been the king himself.

“You are a good and civil boy,” said the mayor. “I suppose your mother is busy washing the clothes down by the river, and you are going to carry that thing to her that you have in your pocket. It is very bad for your mother. How much have you got in it?”

“Only half a quartern,” stammered the boy in a frightened voice.

“And she has had just as much this morning already?”

“No, it was yesterday,” replied the boy.

“Two halves make a whole,” said the mayor. “She’s good for nothing. What a sad thing it is with these people. Tell your mother she ought to be ashamed of herself. Don’t you become a drunkard, but I expect you will though. Poor child! there, go now.”

The boy went on his way with his cap in his hand, while the wind fluttered his golden hair till the locks stood up straight. He turned round the corner of the street into the little lane that led to the river, where his mother stood in the water by her washing bench, beating the linen with a heavy wooden bar. The floodgates at the mill had been drawn up, and as the water rolled rapidly on, the sheets were dragged along by the stream, and nearly overturned the bench, so that the washer-woman was obliged to lean against it to keep it steady. “I have been very nearly carried away,” she said; “it is a good thing that you are come, for I want something to strengthen me. It is cold in the water, and I have stood here six hours. Have you brought anything for me?”

The boy drew the bottle from his pocket, and the mother put it to her lips, and drank a little.

“Ah, how much good that does, and how it warms me,” she said; “it is as good as a hot meal, and not so dear. Drink a little, my boy; you look quite pale; you are shivering in your thin clothes, and autumn has really come. Oh, how cold the water is! I hope I shall not be ill. But no, I must not be afraid of that. Give me a little more, and you may have a sip too, but only a sip; you must not get used to it, my poor, dear child.” She stepped up to the bridge on which the boy stood as she spoke, and came on shore. The water dripped from the straw mat which she had bound round her body, and from her gown. “I work hard and suffer pain with my poor hands,” said she, “but I do it willingly, that I may be able to bring you up honestly and truthfully, my dear boy.”

At the same moment, a woman, rather older than herself, came towards them. She was a miserable-looking object, lame of one leg, and with a large false curl hanging down over one of her eyes, which was blind. This curl was intended to conceal the blind eye, but it made the defect only more visible. She was a friend of the laundress, and was called, among the neighbors, “Lame Martha, with the curl.” “Oh, you poor thing; how you do work, standing there in the water!” she exclaimed. “You really do need something to give you a little warmth, and yet spiteful people cry out about the few drops you take.” And then Martha repeated to the laundress, in a very few minutes, all that the mayor had said to her boy, which she had overheard; and she felt very angry that any man could speak, as he had done, of a mother to her own child, about the few drops she had taken; and she was still more angry because, on that very day, the mayor was going to have a dinner-party, at which there would be wine, strong, rich wine, drunk by the bottle. “Many will take more than they ought, but they don’t call that drinking! They are all right, you are good for nothing indeed!” cried Martha indignantly.

“And so he spoke to you in that way, did he, my child?” said the washer-woman, and her lips trembled as she spoke. “He says you have a mother who is good for nothing. Well, perhaps he is right, but he should not have said it to my child. How much has happened to me from that house!”

“Yes,” said Martha; “I remember you were in service there, and lived in the house when the mayor’s parents were alive; how many years ago that is. Bushels of salt have been eaten since then, and people may well be thirsty,” and Martha smiled. “The mayor’s great dinner-party to-day ought to have been put off, but the news came too late. The footman told me the dinner was already cooked, when a letter came to say that the mayor’s younger brother in Copenhagen is dead.”

“Dead!” cried the laundress, turning pale as death.

“Yes, certainly,” replied Martha; “but why do you take it so much to heart? I suppose you knew him years ago, when you were in service there?”

“Is he dead?” she exclaimed. “Oh, he was such a kind, good-hearted man, there are not many like him,” and the tears rolled down her cheeks as she spoke. Then she cried, “Oh, dear me; I feel quite ill: everything is going round me, I cannot bear it. Is the bottle empty?” and she leaned against the plank.

“Dear me, you are ill indeed,” said the other woman. “Come, cheer up; perhaps it will pass off. No, indeed, I see you are really ill; the best thing for me to do is to lead you home.”

“But my washing yonder?”

“I will take care of that. Come, give me your arm. The boy can stay here and take care of the linen, and I’ll come back and finish the washing; it is but a trifle.”

The limbs of the laundress shook under her, and she said, “I have stood too long in the cold water, and I have had nothing to eat the whole day since the morning. O kind Heaven, help me to get home; I am in a burning fever. Oh, my poor child,” and she burst into tears. And he, poor boy, wept also, as he sat alone by the river, near to and watching the damp linen.

The two women walked very slowly. The laundress slipped and tottered through the lane, and round the corner, into the street where the mayor lived; and just as she reached the front of his house, she sank down upon the pavement. Many persons came round her, and Lame Martha ran into the house for help. The mayor and his guests came to the window.

“Oh, it is the laundress,” said he; “she has had a little drop too much. She is good for nothing. It is a sad thing for her pretty little son. I like the boy very well; but the mother is good for nothing.”

After a while the laundress recovered herself, and they led her to her poor dwelling, and put her to bed. Kind Martha warmed a mug of beer for her, with butter and sugar—she considered this the best medicine—and then hastened to the river, washed and rinsed, badly enough, to be sure, but she did her best. Then she drew the linen ashore, wet as it was, and laid it in a basket. Before evening, she was sitting in the poor little room with the laundress. The mayor’s cook had given her some roasted potatoes and a beautiful piece of fat for the sick woman. Martha and the boy enjoyed these good things very much; but the sick woman could only say that the smell was very nourishing, she thought. By-and-by the boy was put to bed, in the same bed as the one in which his mother lay; but he slept at her feet, covered with an old quilt made of blue and white patchwork. The laundress felt a little better by this time. The warm beer had strengthened her, and the smell of the good food had been pleasant to her.

“Many thanks, you good soul,” she said to Martha. “Now the boy is asleep, I will tell you all. He is soon asleep. How gentle and sweet he looks as he lies there with his eyes closed! He does not know how his mother has suffered; and Heaven grant he never may know it. I was in service at the counsellor’s, the father of the mayor, and it happened that the youngest of his sons, the student, came home. I was a young wild girl then, but honest; that I can declare in the sight of Heaven. The student was merry and gay, brave and affectionate; every drop of blood in him was good and honorable; a better man never lived on earth. He was the son of the house, and I was only a maid; but he loved me truly and honorably, and he told his mother of it. She was to him as an angel upon earth; she was so wise and loving. He went to travel, and before he started he placed a gold ring on my finger; and as soon as he was out of the house, my mistress sent for me. Gently and earnestly she drew me to her, and spake as if an angel were speaking. She showed me clearly, in spirit and in truth, the difference there was between him and me. ‘He is pleased now,’ she said, ‘with your pretty face; but good looks do not last long. You have not been educated like he has. You are not equals in mind and rank, and therein lies the misfortune. I esteem the poor,’ she added. ‘In the sight of God, they may occupy a higher place than many of the rich; but here upon earth we must beware of entering upon a false track, lest we are overturned in our plans, like a carriage that travels by a dangerous road. I know a worthy man, an artisan, who wishes to marry you. I mean Eric, the glovemaker. He is a widower, without children, and in a good position. Will you think it over?’ Every word she said pierced my heart like a knife; but I knew she was right, and the thought pressed heavily upon me. I kissed her hand, and wept bitter tears, and I wept still more when I went to my room, and threw myself on the bed. I passed through a dreadful night; God knows what I suffered, and how I struggled. The following Sunday I went to the house of God to pray for light to direct my path. It seemed like a providence that as I stepped out of church Eric came towards me; and then there remained not a doubt in my mind. We were suited to each other in rank and circumstances. He was, even then, a man of good means. I went up to him, and took his hand, and said, ‘Do you still feel the same for me?’ ‘Yes; ever and always,’ said he. ‘Will you, then, marry a maiden who honors and esteems you, although she cannot offer you her love? but that may come.’ ‘Yes, it will come,’ said he; and we joined our hands together, and I went home to my mistress. The gold ring which her son had given me I wore next to my heart. I could not place it on my finger during the daytime, but only in the evening, when I went to bed. I kissed the ring till my lips almost bled, and then I gave it to my mistress, and told her that the banns were to be put up for me and the glovemaker the following week. Then my mistress threw her arms round me, and kissed me. She did not say that I was ‘good for nothing;’ very likely I was better then than I am now; but the misfortunes of this world, were unknown to me then. At Michaelmas we were married, and for the first year everything went well with us. We had a journeyman and an apprentice, and you were our servant, Martha.”

“Ah, yes, and you were a dear, good mistress,” said Martha, “I shall never forget how kind you and your husband were to me.”

“Yes, those were happy years when you were with us, although we had no children at first. The student I never met again. Yet I saw him once, although he did not see me. He came to his mother’s funeral. I saw him, looking pale as death, and deeply troubled, standing at her grave; for she was his mother. Sometime after, when his father died, he was in foreign lands, and did not come home. I know that he never married, I believe he became a lawyer. He had forgotten me, and even had we met he would not have known me, for I have lost all my good looks, and perhaps that is all for the best.” And then she spoke of the dark days of trial, when misfortune had fallen upon them.

“We had five hundred dollars,” she said, “and there was a house in the street to be sold for two hundred, so we thought it would be worth our while to pull it down and build a new one in its place; so it was bought. The builder and carpenter made an estimate that the new house would cost ten hundred and twenty dollars to build. Eric had credit, so he borrowed the money in the chief town. But the captain, who was bringing it to him, was shipwrecked, and the money lost. Just about this time, my dear sweet boy, who lies sleeping there, was born, and my husband was attacked with a severe lingering illness. For three quarters of a year I was obliged to dress and undress him. We were backward in our payments, we borrowed more money, and all that we had was lost and sold, and then my husband died. Since then I have worked, toiled, and striven for the sake of the child. I have scrubbed and washed both coarse and fine linen, but I have not been able to make myself better off; and it was God’s will. In His own time He will take me to Himself, but I know He will never forsake my boy.” Then she fell asleep. In the morning she felt much refreshed, and strong enough, as she thought, to go on with her work. But as soon as she stepped into the cold water, a sudden faintness seized her; she clutched at the air convulsively with her hand, took one step forward, and fell. Her head rested on dry land, but her feet were in the water; her wooden shoes, which were only tied on by a wisp of straw, were carried away by the stream, and thus she was found by Martha when she came to bring her some coffee.

In the meantime a messenger had been sent to her house by the mayor, to say that she must come to him immediately, as he had something to tell her. It was too late; a surgeon had been sent for to open a vein in her arm, but the poor woman was dead.

“She has drunk herself to death,” said the cruel mayor. In the letter, containing the news of his brother’s death, it was stated that he had left in his will a legacy of six hundred dollars to the glovemaker’s widow, who had been his mother’s maid, to be paid with discretion, in large or small sums to the widow or her child.

“There was something between my brother and her, I remember,” said the mayor; “it is a good thing that she is out of the way, for now the boy will have the whole. I will place him with honest people to bring him up, that he may become a respectable working man.” And the blessing of God rested upon these words. The mayor sent for the boy to come to him, and promised to take care of him, but most cruelly added that it was a good thing that his mother was dead, for “she was good for nothing.” They carried her to the churchyard, the churchyard in which the poor were buried. Martha strewed sand on the grave and planted a rose-tree upon it, and the boy stood by her side.

“Oh, my poor mother!” he cried, while the tears rolled down his cheeks. “Is it true what they say, that she was good for nothing?”

“No, indeed, it is not true,” replied the old servant, raising her eyes to heaven; “she was worth a great deal; I knew it years ago, and since the last night of her life I am more certain of it than ever. I say she was a good and worthy woman, and God, who is in heaven, knows I am speaking the truth, though the world may say, even now she was good for nothing.”

Смотреть далее | 20.05.2014 | Отправить ссылку друзьям

Useful phrases on Hobbies - Полезные фразы на тему Хобби, увлечения

Полезные фразы по теме "Хобби, увлечения"

1. Как Вы обычно проводите свободное время? - How do you usually spend your free time?

2. Я - большой поклонник/фанат ...футбола (тенниса, хоккея). - I am a great/big fan of... football ( tennis, hockey)

3.Мое хобби — фотография (спорт, туризм). - My hobby is taking photographs (sports, tourism).

4. Я люблю путешествовать (читать, кататься на лыжах). - I like travelling (reading, skiing).

5. Я собираю марки (открытки, значки, монеты) - I collect stamps (post-cards, badges, coins).

6. Что в этом (хобби) интересного? - How can a hobby like that be any fun?

7. Какие у Вас хобби? - What hobbies do you have?

8. Чем Вы интересуетесь? - What are you interested in?

9. Я люблю спорт, музыку, кино, собирать марки. - I like (love, am fond of) sports (music, cinema, collecting stamps).

10. Как давно Вы увлекаетесь этим? - For how long has it been your hobby?

11. Мое увлечение требует много времени. - My hobby takes me quite a lot of time.

12. У меня мало времени на мое увлечение. - I don't have too much time for my hobby.

13. Какая у Вас любимая книга (Какой у Вас любимый вид спорта, музыкальный жанр, фильм)? - What is your favourite book ( kind of sport/music, film)?

14. Мне нравится встречаться с разными людьми. - I love meeting different people.

15. Я очень часто сижу в Интернете. - I surf the net quite often.

16. Я коллекционирую марки (пивные банки, автографы) несколько лет. - I've been collecting stamps (beercans, autographs) for some years.

17. Где (когда) будет соревнование (концерт, фильм, выставка)? - Where (when) will the competition (concert, film, exhibition) take place?

18. У меня много (два, три) домашних животных. - I've got many (two, three) pets.

Смотреть далее | 19.05.2014 | Отправить ссылку друзьям

Сказка Poultry Meg's Family - Семья Полтри Мега [ Hans Christian Andersen ]

Сказка Poultry Meg's Family

Poultry Meg was the only person who lived in the new stately dwelling that had been built for the fowls and ducks belonging to the manor house. It stood there where once the old knightly building had stood with its tower, its pointed gables, its moat, and its drawbridge. Close by it was a wilderness of trees and thicket; here the garden had been, and had stretched out to a great lake, which was now moorland. Crows and choughs flew screaming over the old trees, and there were crowds of birds; they did not seem to get fewer when any one shot among them, but seemed rather to increase. One heard the screaming into the poultry-house, where Poultry Meg sat with the ducklings running to and fro over her wooden shoes. She knew every fowl and every duck from the moment it crept out of the shell; and she was fond of her fowls and her ducks, and proud of the stately house that had been built for them. Her own little room in the house was clean and neat, for that was the wish of the gracious lady to whom the house belonged. She often came in the company of grand noble guests, to whom she showed “the hens’ and ducks’ barracks,” as she called the little house.

Here were a clothes cupboard, and an, arm-chair, and even a chest of drawers; and on these drawers a polished metal plate had been placed, whereon was engraved the word “Grubbe,” and this was the name of the noble family that had lived in the house of old. The brass plate had been found when they were digging the foundation; and the clerk has said it had no value except in being an old relic. The clerk knew all about the place, and about the old times, for he had his knowledge from books, and many a memorandum had been written and put in his table-drawer. But the oldest of the crows perhaps knew more than he, and screamed it out in her own language; but that was the crow’s language, and the clerk did not understand that, clever as he was.

After the hot summer days the mist sometimes hung over the moorland as if a whole lake were behind the old trees, among which the crows and the daws were fluttering; and thus it had looked when the good Knight Grubbe had lived here—when the old manor house stood with its thick red walls. The dog-chain used to reach in those days quite over the gateway; through the tower one went into a paved passage which led to the rooms; the windows were narrow, and the panes were small, even in the great hall where the dancing used to be; but in the time of the last Grubbe, there had been no dancing in the hall within the memory of man, although an old drum still lay there that had served as part of the music. Here stood a quaintly carved cupboard, in which rare flower-roots were kept, for my Lady Grubbe was fond of plants and cultivated trees and shrubs. Her husband preferred riding out to shoot wolves and boars; and his little daughter Marie always went with him part of the way. When she was only five years old, she would sit proudly on her horse, and look saucily round with her great black eyes. It was a great amusement to her to hit out among the hunting-dogs with her whip; but her father would rather have seen her hit among the peasant boys, who came running up to stare at their lord.

The peasant in the clay hut close by the knightly house had a son named Soren, of the same age as the gracious little lady. The boy could climb well, and had always to bring her down the bird’s nests. The birds screamed as loud as they could, and one of the greatest of them hacked him with its beak over the eye so that the blood ran down, and it was at first thought the eye had been destroyed; but it had not been injured after all. Marie Grubbe used to call him her Soren, and that was a great favor, and was an advantage to Soren’s father—poor Jon, who had one day committed a fault, and was to be punished by riding on the wooden horse. This same horse stood in the courtyard, and had four poles for legs, and a single narrow plant for a back; on this Jon had to ride astride, and some heavy bricks were fastened to his feet into the bargain, that he might not sit too comfortably. He made horrible grimaces, and Soren wept and implored little Marie to interfere. She immediately ordered that Soren’s father should be taken down, and when they did not obey her, she stamped on the floor, and pulled at her father’s sleeve till it was torn to pieces. She would have her way, and she got her way, and Soren’s father was taken down.

Lady Grubbe, who now came up, parted her little daughter’s hair from the child’s brow, and looked at her affectionately; but Marie did not understand why.

She wanted to go to the hounds, and not to her mother, who went down into the garden, to the lake where the water-lily bloomed, and the heads of bulrushes nodded amid the reeds; and she looked at all this beauty and freshness. “How pleasant!” she said. In the garden stood at that time a rare tree, which she herself had planted. It was called the blood-beech—a kind of negro growing among the other trees, so dark brown were the leaves. This tree required much sunshine, for in continual shade it would become bright green like the other trees, and thus lose its distinctive character. In the lofty chestnut trees were many birds’ nests, and also in the thickets and in the grassy meadows. It seemed as though the birds knew that they were protected here, and that no one must fire a gun at them.

Little Marie came here with Soren. He knew how to climb, as we have already said, and eggs and fluffy-feathered young birds were brought down. The birds, great and small, flew about in terror and tribulation; the peewit from the fields, and the crows and daws from the high trees, screamed and screamed; it was just such din as the family will raise to the present day.

“What are you doing, you children?” cried the gentle lady; “that is sinful!”

Soren stood abashed, and even the little gracious lady looked down a little; but then he said, quite short and pretty,

“My father lets me do it!”

“Craw-craw! away-away from here!” cried the great black birds, and they flew away; but on the following day they came back, for they were at home here.

The quiet gentle lady did not remain long at home here on earth, for the good God called her away; and, indeed, her home was rather with Him than in the knightly house; and the church bells tolled solemnly when her corpse was carried to the church, and the eyes of the poor people were wet with tears, for she had been good to them.

When she was gone, no one attended to her plantations, and the garden ran to waste. Grubbe the knight was a hard man, they said; but his daughter, young as she was, knew how to manage him. He used to laugh and let her have her way. She was now twelve years old, and strongly built. She looked the people through and through with her black eyes, rode her horse as bravely as a man, and could fire off her gun like a practiced hunter.

One day there were great visitors in the neighborhood, the grandest visitors who could come. The young King, and his half-brother and comrade, the Lord Ulrik Frederik Gyldenlove. They wanted to hunt the wild boar, and to pass a few days at the castle of Grubbe.

Gyldenlove sat at table next to Marie Grubbe, and he took her by the hand and gave her a kiss, as if she had been a relation; but she gave him a box on the ear, and told him she could not bear him, at which there was great laughter, as if that had been a very amusing thing.

And perhaps it was very amusing, for, five years afterwards, when Marie had fulfilled her seventeenth year, a messenger arrived with a letter, in which Lord Gyldenlove proposed for the hand of the noble young lady. There was a thing for you!

“He is the grandest and most gallant gentleman in the whole country,” said Grubbe the knight; “that is not a thing to despise.”

“I don’t care so very much about him,” said Marie Grubbe; but she did not despise the grandest man of all the country, who sat by the king’s side.

Silver plate, and fine linen and woollen, went off to Copenhagen in a ship, while the bride made the journey by land in ten days. But the outfit met with contrary winds, or with no winds at all, for four months passed before it arrived; and when it came, my Lady Gyldenlove was gone.

“I’d rather lie on coarse sacking than lie in his silken beds,” she declared. “I’d rather walk barefoot than drive with him in a coach!”

Late one evening in November two women came riding into the town of Aarhuus. They were the gracious Lady Gyldenlove (Marie Grubbe) and her maid. They came from the town of Weile, whither they had come in a ship from Copenhagen. They stopped at Lord Grubbe’s stone mansion in Aarhuus. Grubbe was not well pleased with this visit. Marie was accosted in hard words; but she had a bedroom given her, and got her beer soup of a morning; but the evil part of her father’s nature was aroused against her, and she was not used to that. She was not of a gentle temper, and we often answer as we are addressed. She answered openly, and spoke with bitterness and hatred of her husband, with whom she declared she would not live; she was too honorable for that.

A year went by, but it did not go by pleasantly. There were evil words between the father and the daughter, and that ought never to be. Bad words bear bad fruit. What could be the end of such a state of things?

“We two cannot live under the same roof,” said the father one day. “Go away from here to our old manor house; but you had better bite your tongue off than spread any lies among the people.”

And so the two parted. She went with her maid to the old castle where she had been born, and near which the gentle, pious lady, her mother, was lying in the church vault. An old cowherd lived in the courtyard, and was the only other inhabitant of the place. In the rooms heavy black cobwebs hung down, covered with dust; in the garden everything grew just as it would; hops and climbing plants ran like a net between the trees and bushes, and the hemlock and nettle grew larger and stronger. The blood-beech had been outgrown by other trees, and now stood in the shade; and its leaves were green like those of the common trees, and its glory had departed. Crows and choughs, in great close masses, flew past over the tall chestnut trees, and chattered and screamed as if they had something very important to tell one another—as if they were saying, “Now she’s come back again, the little girl who had their eggs and their young ones stolen from them; and as for the thief who had got them down, he had to climb up a leafless tree, for he sat on a tall ship’s mast, and was beaten with a rope’s end if he did not behave himself.”

The clerk told all this in our own times; he had collected it and looked it up in books and memoranda. It was to be found, with many other writings, locked up in his table-drawer.

“Upward and downward is the course of the world,” said he. “It is strange to hear.”

And we will hear how it went with Marie Grubbe. We need not for that forget Poultry Meg, who is sitting in her capital hen-house, in our own time. Marie Grubbe sat down in her times, but not with the same spirit that old Poultry Meg showed.

The winter passed away, and the spring and the summer passed away, and the autumn came again, with the damp, cold sea-fog. It was a lonely, desolate life in the old manor house. Marie Grubbe took her gun in her hand and went out to the heath, and shot hares and foxes, and whatever birds she could hit. More than once she met the noble Sir Palle Dyre, of Norreb?k, who was also wandering about with his gun and his dogs. He was tall and strong, and boasted of this when they talked together. He could have measured himself against the deceased Mr. Brockenhuus, of Egeskov, of whom the people still talked. Palle Dyre had, after the example of Brockenhuus, caused an iron chain with a hunting-horn to be hung in his gateway; and when he came riding home, he used to seize the chain, and lift himself and his horse from the ground, and blow the horn.

“Come yourself, and see me do that, Dame Marie,” he said. “One can breathe fresh and free at Norreb?k.”

When she went to his castle is not known, but on the altar candlestick in the church of Norreb?k it was inscribed that they were the gift of Palle Dyre and Marie Grubbe, of Norreb?k Castle.

A great stout man was Palle Dyre. He drank like a sponge. He was like a tub that could never get full; he snored like a whole sty of pigs, and he looked red and bloated.

“He is treacherous and malicious,” said Dame Pally Dyre, Grubbe’s daughter. Soon she was weary of her life with him, but that did not make it better.

One day the table was spread, and the dishes grew cold. Palle Dyre was out hunting foxes, and the gracious lady was nowhere to be found. Towards midnight Palle Dyre came home, but Dame Dyre came neither at midnight, nor next morning. She had turned her back upon Norreb?k, and had ridden away without saying good-bye.

It was gray, wet weather; the wind grew cold, and a flight of black screaming birds flew over her head. They were not so homeless as she.

First she journeyed southward, quite down into the German land. A couple of golden rings with costly stones were turned into money; and then she turned to the east, and then she turned again and went towards the west. She had no food before her eyes, and murmured against everything, even against the good God himself, so wretched was her soul. Soon her body became wretched too, and she was scarcely able to move a foot. The peewit flew up as she stumbled over the mound of earth where it had built its nest. The bird cried, as it always cried, “You thief! you thief!” She had never stolen her neighbor’s goods; but as a little girl she had caused eggs and young birds to be taken from the trees, and she thought of that now.

From where she lay she could see the sand-dunes. By the seashore lived fishermen; but she could not get so far, she was so ill. The great white sea-mews flew over her head, and screamed as the crows and daws screamed at home in the garden of the manor house. The birds flew quite close to her, and at last it seemed to her as if they became black as crows, and then all was night before her eyes.

When she opened her eyes again, she was being lifted and carried. A great strong man had taken her up in his arms, and she was looking straight into his bearded face. He had a scar over one eye, which seemed to divide the eyebrow into two parts. Weak as she was, he carried her to the ship, where he got a rating for it from the captain.

The next day the ship sailed away. Madame Grubbe had not been put ashore, so she sailed away with it. But she will return, will she not? Yes, but where, and when?

The clerk could tell about this too, and it was not a story which he patched together himself. He had the whole strange history out of an old authentic book, which we ourselves can take out and read. The Danish historian, Ludwig Holberg, who has written so many useful books and merry comedies, from which we can get such a good idea of his times and their people, tells in his letters of Marie Grubbe, where and how he met her. It is well worth hearing; but for all that, we don’t at all forget Poultry Meg, who is sitting cheerful and comfortable in the charming fowl-house.

The ship sailed away with Marie Grubbe. That’s where we left off.

Long years went by.

The plague was raging at Copenhagen; it was in the year 1711. The Queen of Denmark went away to her German home, the King quitted the capital, and everybody who could do so hurried away. The students, even those who had board and lodging gratis, left the city. One of these students, the last who had remained in the free college, at last went away too. It was two o’clock in the morning. He was carrying his knapsack, which was better stacked with books and writings than with clothes. A damp mist hung over the town; not a person was to be seen in the streets; the street-doors around were marked with crosses, as a sign that the plague was within, or that all the inmates were dead. A great wagon rattled past him; the coachman brandished his whip, and the horses flew by at a gallop. The wagon was filled with corpses. The young student kept his hand before his face, and smelt at some strong spirits that he had with him on a sponge in a little brass scent-case. Out of a small tavern in one of the streets there were sounds of singing and of unhallowed laughter, from people who drank the night through to forget that the plague was at their doors, and that they might be put into the wagon as the others had been. The student turned his steps towards the canal at the castle bridge, where a couple of small ships were lying; one of these was weighing anchor, to get away from the plague-stricken city.

“If God spares our lives and grants us a fair wind, we are going to Gronmud, near Falster,” said the captain; and he asked the name of the student who wished to go with him.

“Ludvig Holberg,” answered the student; and the name sounded like any other. But now there sounds in it one of the proudest names of Denmark; then it was the name of a young, unknown student.

The ship glided past the castle. It was not yet bright day when it was in the open sea. A light wind filled the sails, and the young student sat down with his face turned towards the fresh wind, and went to sleep, which was not exactly the most prudent thing he could have done.

Already on the third day the ship lay by the island of Falster.

“Do you know any one here with whom I could lodge cheaply?” Holberg asked the captain.

“I should think you would do well to go to the ferry-woman in Borrehaus,” answered the captain. “If you want to be very civil to her, her name is Mother Soren Sorensen Muller. But it may happen that she may fly into a fury if you are too polite to her. The man is in custody for a crime, and that’s why she manages the ferry-boat herself—she has fists of her own.”

The student took his knapsack and betook himself to the ferry-house. The house door was not locked—it opened, and he went into a room with a brick floor, where a bench, with a great coverlet of leather, formed the chief article of furniture. A white hen, who had a brood of chickens, was fastened to the bench, and had overturned the pipkin of water, so that the wet ran across the floor. There were no people either here or in the adjoining room; only a cradle stood there, in which was a child. The ferry-boat came back with only one person in it. Whether that person was a man or a woman was not an easy matter to determine. The person in question was wrapped in a great cloak, and wore a kind of hood. Presently the boat lay to.

It was a woman who got out of it and came into the room. She looked very stately when she straightened her back; two proud eyes looked forth from beneath her black eyebrows. It was Mother Soren, the ferry-wife. The crows and daws might have called out another name for her, which we know better.

She looked morose, and did not seem to care to talk; but this much was settled, that the student should board in her house for an indefinite time, while things looked so bad in Copenhagen.

This or that honest citizen would often come to the ferry-house from the neighboring little town. There came Frank the cutler, and Sivert the exciseman. They drank a mug of beer in the ferry-house, and used to converse with the student, for he was a clever young man, who knew his “Practica,” as they called it; he could read Greek and Latin, and was well up in learned subjects.

“The less one knows, the less it presses upon one,” said Mother Soren.

“You have to work hard,” said Holberg one day, when she was dipping clothes in the strong soapy water, and was obliged herself to split the logs for the fire.

“That’s my affair,” she replied.

“Have you been obliged to toil in this way from your childhood?”

“You can read that from my hands,” she replied, and held out her hands, that were small indeed, but hard and strong, with bitten nails. “You are learned, and can read.”

At Christmas-time it began to snow heavily. The cold came on, the wind blue sharp, as if there were vitriol in it to wash the people’s faces. Mother Soren did not let that disturb her; she threw her cloak around her, and drew her hood over her head. Early in the afternoon—it was already dark in the house—she laid wood and turf on the hearth, and then she sat down to darn her stockings, for there was no one to do it for her. Towards evening she spoke more words to the student than it was customary with her to use; she spoke of her husband.

“He killed a sailor of Dragor by mischance, and for that he has to work for three years in irons. He’s only a common sailor, and therefore the law must take its course.”

“The law is there for people of high rank, too,” said Holberg.

“Do you think so?” said Mother Soren; then she looked into the fire for a while; but after a time she began to speak again. “Have you heard of Kai Lykke, who caused a church to be pulled down, and when the clergyman, Master Martin, thundered from the pulpit about it, he had him put in irons, and sat in judgment upon him, and condemned him to death? Yes, and the clergyman was obliged to bow his head to the stroke. And yet Kai Lykke went scot-free.”

“He had a right to do as he did in those times,” said Holberg; “but now we have left those times behind us.”

“You may get a fool to believe that,” cried Mother Soren; and she got up and went into the room where the child lay. She lifted up the child, and laid it down more comfortably. Then she arranged the bed-place of the student. He had the green coverlet, for he felt the cold more than she, though he was born in Norway.

On New Year’s morning it was a bright sunshiny day. The frost had been so strong, and was still so strong, that the fallen snow had become a hard mass, and one could walk upon it. The bells of the little town were tolling for church. Student Holberg wrapped himself up in his woollen cloak, and wanted to go to the town.

Over the ferry-house the crows and daws were flying with loud cries; one could hardly hear the church bells for their screaming. Mother Soren stood in front of the house, filling a brass pot with snow, which she was going to put on the fire to get drinking water. She looked up to the crowd of birds, and thought her own thoughts.

Student Holberg went to church. On his way there and on his return he passed by the house of tax-collector Sivert, by the town-gate. Here he was invited to take a mug of brown beer with treacle and sugar. The discourse fell upon Mother Soren, but the tax collector did not know much about her, and, indeed, few knew much about her. She did not belong to the island of Falster, he said; she had a little property of her own at one time. Her husband was a common sailor, a fellow of a very hot temper, and had killed a sailor of Dragor; and he beat his wife, and yet she defended him.

“I should not endure such treatment,” said the tax-collector’s wife. “I am come of more respectable people. My father was stocking-weaver to the Court.”

“And consequently you have married a governmental official,” said Holberg, and made a bow to her and to the collector.

It was on Twelfth Night, the evening of the festival of the Three Kings, Mother Soren lit up for Holberg a three-king candle, that is, a tallow candle with three wicks, which she had herself prepared.

“A light for each man,” said Holberg.

“For each man?” repeated the woman, looking sharply at him.

“For each of the wise men from the East,” said Holberg.

“You mean it that way,” said she, and then she was silent for a long time. But on this evening he learned more about her than he had yet known.

“You speak very affectionately of your husband,” observed Holberg, “and yet the people say that he ill-uses you every day.”

“That’s no one’s business but mine,” she replied. “The blows might have done me good when I was a child; now, I suppose, I get them for my sins. But I know what good he has done me,” and she rose up. “When I lay sick upon the desolate heath, and no one would have pity on me, and no one would have anything to do with me, except the crows and daws, which came to peck me to bits, he carried me in his arms, and had to bear hard words because of the burden he brought on board ship. It’s not in my nature to be sick, and so I got well. Every man has his own way, and Soren has his; but the horse must not be judged by the halter. Taking one thing with another, I have lived more agreeably with him than with the man whom they called the most noble and gallant of the King’s subjects. I have had the Stadtholder Gyldenlove, the King’s half-brother, for my husband; and afterwards I took Palle Dyre. One is as good as another, each in his own way, and I in mine. That was a long gossip, but now you know all about me.”

And with those words she left the room.

It was Marie Grubbe! so strangely had fate played with her. She did not live to see many anniversaries of the festival of the Three Kings; Holberg has recorded that she died in June, 1716; but he has not written down, for he did not know, that a number of great black birds circled over the ferry-house, when Mother Soren, as she was called, was lying there a corpse. They did not scream, as if they knew that at a burial silence should be observed. So soon as she lay in the earth, the birds disappeared; but on the same evening in Jutland, at the old manor house, an enormous number of crows and choughs were seen; they all cried as loud as they could, as if they had some announcement to make. Perhaps they talked of him who, as a little boy, had taken away their eggs and their young; of the peasant’s son, who had to wear an iron garter, and of the noble young lady, who ended by being a ferryman’s wife.

“Brave! brave!” they cried.

And the whole family cried, “Brave! brave!” when the old house was pulled down.

“They are still crying, and yet there’s nothing to cry about,” said the clerk, when he told the story. “The family is extinct, the house has been pulled down, and where it stood is now the stately poultry-house, with gilded weathercocks, and the old Poultry Meg. She rejoices greatly in her beautiful dwelling. If she had not come here,” the old clerk added, “she would have had to go into the work-house.”

The pigeons cooed over her, the turkey-cocks gobbled, and the ducks quacked.

“Nobody knew her,” they said; “she belongs to no family. It’s pure charity that she is here at all. She has neither a drake father nor a hen mother, and has no descendants.”

She came of a great family, for all that; but she did not know it, and the old clerk did not know it, though he had so much written down; but one of the old crows knew about it, and told about it. She had heard from her own mother and grandmother about Poultry Meg’s mother and grandmother. And we know the grandmother too. We saw her ride, as child, over the bridge, looking proudly around her, as if the whole world belonged to her, and all the birds’ nests in it; and we saw her on the heath, by the sand-dunes; and, last of all, in the ferry-house. The granddaughter, the last of her race, had come back to the old home, where the old castle had stood, where the black wild birds were screaming; but she sat among the tame birds, and these knew her and were fond of her. Poultry Meg had nothing left to wish for; she looked forward with pleasure to her death, and she was old enough to die.

“Grave, grave!” cried the crows.

And Poultry Meg has a good grave, which nobody knew except the old crow, if the old crow is not dead already.

And now we know the story of the old manor house, of its old proprietors, and of all Poultry Meg’s family.

Смотреть далее | 19.05.2014 | Отправить ссылку друзьям

Compliments in English - Комплименты на английском языке

1. What a charming girl you are! - Какая ты очаровательная девушка!
2. You look very pretty - Ты очень красиво выглядишь
3. You look lovely - Ты прекрасно выглядишь
4. Your new hairdo is not bad. - Мне нравится Ваша новая прическа.
5. You have wonderful taste in clothes. - У вас великолепный вкус в одежде.
6. You look so well after the holiday! - Как вы хорошо выглядите после отпуска
7. You don't look your age - Вам не дашь ваших лет
8. Thank you for a nice day. - Спасибо за прекрасный день.
9. Thank you for your compliment. - Спасибо за комплимент.
10. Well, if it isn't John! How time flies! I haven't seen you for ages! Why, you haven't changed the least bit. You do wear well. - Кого я вижу! Сколько лет, сколько зим! А ты не меняешься. Время тебя не берёт!
11. You’re very generous. - Вы очень добры.
12. Thank you for picking me up. - Спасибо, что встретили меня (зашли за мной).
13. That’s very kind of you. - Очень любезно с Вашей стороны.
14. I’m really grateful to you. - Я очень Вам благодарен.
15. Thank you for your trouble. - Спасибо и извините за беспокойство.
16. Much obliged. - Весьма признателен.
17. I’m very much obliged to you. - Я очень Вам обязан.
18. You are a good specialist - Ты хороший специалист
19. You have a fine sense of humor - У вас хорошее чувство юмора
20. You are an outstanding musician - Ты превосходный музыкант

Инфа: [согласно опросам, 89% женщин признались, что очень любят комплименты]

Смотреть далее | 18.05.2014 | Отправить ссылку друзьям

Сказка Our Aunt - Наша тетушка [ Hans Christian Andersen ]

Сказка Our Aunt - Наша тетушка

You ought to have known our aunt; she was charming! That is to say, she was not charming at all as the word is usually understood; but she was good and kind, amusing in her way, and was just as any one ought to be whom people are to talk about and to laugh at. She might have been put into a play, and wholly and solely on account of the fact that she only lived for the theater and for what was done there. She was an honorable matron; but Agent Fabs, whom she used to call “Flabs,” declared that our aunt was stage-struck.

“The theater is my school,” said she, “the source of my knowledge. From thence I have resuscitated Biblical history. Now, ‘Moses’ and ‘Joseph in Egypt’—there are operas for you! I get my universal history from the theater, my geography, and my knowledge of men. Out of the French pieces I get to know life in Paris—slippery, but exceedingly interesting. How I have cried over ‘La Famille Roquebourg’—that the man must drink himself to death, so that she may marry the young fellow! Yes, how many tears I have wept in the fifty years I have subscribed to the theater!”

Our aunt knew every acting play, every bit of scenery, every character, every one who appeared or had appeared. She seemed really only to live during the nine months the theater was open. Summertime without a summer theater seemed to be only a time that made her old; while, on the other hand, a theatrical evening that lasted till midnight was a lengthening of her life. She did not say, as other people do, “Now we shall have spring, the stork is here,” or, “They’ve advertised the first strawberries in the papers.” She, on the contrary, used to announce the coming of autumn, with “Have you heard they’re selling boxes for the theater? now the performances will begin.”

She used to value a lodging entirely according to its proximity to the theater. It was a real sorrow to her when she had to leave the little lane behind the playhouse, and move into the great street that lay a little farther off, and live there in a house where she had no opposite neighbors.

“At home,” said she, “my windows must be my opera-box. One cannot sit and look into one’s self till one’s tired; one must see people. But now I live just as if I’d go into the country. If I want to see human beings, I must go into my kitchen, and sit down on the sink, for there only I have opposite neighbors. No; when I lived in my dear little lane, I could look straight down into the ironmonger’s shop, and had only three hundred paces to the theater; and now I’ve three thousand paces to go, military measurement.”

Our aunt was sometimes ill, but however unwell she might feel, she never missed the play. The doctor prescribed one day that she should put her feet in a bran bath, and she followed his advice; but she drove to the theater all the same, and sat with her feet in bran there. If she had died there, she would have been very glad. Thorwaldsen died in the theater, and she called that a happy death.

She could not imagine but that in heaven there must be a theater too. It had not, indeed, been promised us, but we might very well imagine it. The many distinguished actors and actresses who had passed away must surely have a field for their talent.

Our aunt had an electric wire from the theater to her room. A telegram used to be dispatched to her at coffee-time, and it used to consist of the words, “Herr Sivertsen is at the machinery;” for it was he who gave the signal for drawing the curtain up and down and for changing the scenes.

From him she used to receive a short and concise description of every piece. His opinion of Shakspeare’s “Tempest,” was, “Mad nonsense! There’s so much to put up, and the first scene begins with ‘Water to the front of the wings.’” That is to say, the water had to come forward so far. But when, on the other hand, the same interior scene remained through five acts, he used to pronounce it a sensible, well-written play, a resting play, which performed itself, without putting up scenes.

In earlier times, by which name our aunt used to designate thirty years ago, she and the before-mentioned Herr Sivertsen had been younger. At that time he had already been connected with the machinery, and was, as she said, her benefactor. It used to be the custom in those days that in the evening performances in the only theater the town possessed, spectators were admitted to the part called the “flies,” over the stage, and every machinist had one or two places to give away. Often the flies were quite full of good company; it was said that generals’ wives and privy councillors’ wives had been up there. It was quite interesting to look down behind the scenes, and to see how the people walked to and fro on the stage when the curtain was down.

Our aunt had been there several times, as well when there was a tragedy as when there was a ballet; for the pieces in which there were the greatest number of characters on the stage were the most interesting to see from the flies. One sat pretty much in the dark up there, and most people took their supper up with them. Once three apples and a great piece of bread and butter and sausage fell down right into the dungeon of Ugolino, where that unhappy man was to be starved to death; and there was great laughter among the audience. The sausage was one of the weightiest reasons why the worthy management refused in future to have any spectators up in the flies.

“But I was there seven-and-thirty times,” said our aunt, “and I shall always remember Mr. Sivertsen for that.”

On the very last evening when the flies were still open to the public, the “Judgment of Solomon” was performed, as our aunt remembered very well. She had, through the influence of her benefactor, Herr Sivertsen, procured a free admission for the Agent Fabs, although he did not deserve it in the least, for he was always cutting his jokes about the theater and teasing our aunt; but she had procured him a free admission to the flies, for all that. He wanted to look at this player-stuff from the other side.

“Those were his own words, and they were just like him,” said our aunt.

He looked down from above on the ‘Judgment of Solomon,’ and fell asleep over it. One would have thought that he had come from a dinner where many toasts had been given. He went to sleep, and was locked in. And there he sat through the dark night in the flies, and when he woke, he told a story, but our aunt would not believe it.

“The ‘Judgment of Solomon’ was over,” he said, “and all the people had gone away, up stairs and down stairs; but now the real play began, the after-piece, which was the best of all,” said the agent. “Then life came into the affair. It was not the ‘Judgment of Solomon’ that was performed; no, a real court of judgment was held upon the stage.” And Agent Fabs had the impudence to try and make our aunt believe all this. That was the thanks she got for having got him a place in the flies.

What did the agent say? Why, it was curious enough to hear, but there was malice and satire in it.

“It looked dark enough up there,” said the agent; “but then the magic business began—a great performance, ‘The Judgment in the Theater.’ The box-keepers were at their posts, and every spectator had to show his ghostly pass-book, that it might be decided if he was to be admitted with hands loose or bound, and with or without a muzzle. Grand people who came too late, when the performance had begun, and young people, who could not always watch the time, were tied up outside, and had list slippers put on their feet, with which they were allowed to go in before the beginning of the next act, and they had muzzles too. And then the ‘Judgment on the Stage’ began.”

“All malice, and not a bit of truth in it,” said our aunt.

The painter, who wanted to get to Paradise, had to go up a staircase which he had himself painted, but which no man could mount. That was to expiate his sins against perspective. All the plants and buildings, which the property-man had placed, with infinite pains, in countries to which they did not belong, the poor fellow was obliged to put in their right places before cockcrow, if he wanted to get into Paradise. Let Herr Fabs see how he would get in himself; but what he said of the performers, tragedians and comedians, singers and dancers, that was the most rascally of all. Mr. Fabs, indeed!—Flabs! He did not deserve to be admitted at all, and our aunt would not soil her lips with what he said. And he said, did Flabs, that the whole was written down, and it should be printed when he was dead and buried, but not before, for he would not risk having his arms and legs broken.

Once our aunt had been in fear and trembling in her temple of happiness, the theater. It was on a winter day, one of those days in which one has a couple of hours of daylight, with a gray sky. It was terribly cold and snowy, but aunt must go to the theater. A little opera and a great ballet were performed, and a prologue and an epilogue into the bargain; and that would last till late at night. Our aunt must needs go; so she borrowed a pair of fur boots of her lodger—boots with fur inside and out, and which reached far up her legs.

She got to the theater, and to her box; the boots were warm, and she kept them on. Suddenly there was a cry of “Fire!” Smoke was coming from one of the side scenes, and streamed down from the flies, and there was a terrible panic. The people came rushing out, and our aunt was the last in the box, “on the second tier, left-hand side, for from there the scenery looks best,” she used to say. “The scenes are always arranged that they look best from the King’s side.” Aunt wanted to come out, but the people before her, in their fright and heedlessness, slammed the door of the box; and there sat our aunt, and couldn’t get out, and couldn’t get in; that is to say, she couldn’t get into the next box, for the partition was too high for her. She called out, and no one heard her; she looked down into the tier of boxes below her, and it was empty, and low, and looked quite near, and aunt in her terror felt quite young and light. She thought of jumping down, and had got one leg over the partition, the other resting on the bench. There she sat astride, as if on horseback, well wrapped up in her flowered cloak with one leg hanging out—a leg in a tremendous fur boot. That was a sight to behold; and when it was beheld, our aunt was heard too, and was saved from burning, for the theater was not burned down.

That was the most memorable evening of her life, and she was glad that she could not see herself, for she would have died with confusion.

Her benefactor in the machinery department, Herr Sivertsen, visited her every Sunday, but it was a long time from Sunday to Sunday. In the latter time, therefore, she used to have in a little child “for the scraps;” that is to say, to eat up the remains of the dinner. It was a child employed in the ballet, one that certainly wanted feeding. The little one used to appear, sometimes as an elf, sometimes as a page; the most difficult part she had to play was the lion’s hind leg in the “Magic Flute;” but as she grew larger she could represent the fore-feet of the lion. She certainly only got half a guilder for that, whereas the hind legs were paid for with a whole guilder; but then she had to walk bent, and to do without fresh air. “That was all very interesting to hear,” said our aunt.

She deserved to live as long as the theater stood, but she could not last so long; and she did not die in the theater, but respectably in her bed. Her last words were, moreover, not without meaning. She asked,

“What will the play be to-morrow?”

At her death she left about five hundred dollars. We presume this from the interest, which came to twenty dollars. This our aunt had destined as a legacy for a worthy old spinster who had no friends; it was to be devoted to a yearly subscription for a place in the second tier, on the left side, for the Saturday evening, “for on that evening two pieces were always given,” it said in the will; and the only condition laid upon the person who enjoyed the legacy was, that she should think, every Saturday evening, of our aunt, who was lying in her grave.

This was our aunt’s religion.

Смотреть далее | 18.05.2014 | Отправить ссылку друзьям

Текст и перевод песни Who We Are - Кто мы [ Boyzone ]

Текст и перевод песни Who We Are - Кто мы. В исполнении Boyzone [ видео внизу ]

Who We Are

Кто мы

We make mistakes
We rise again
We choose the road we shouldn't take

We bend the rules
We cross the line
It's just enough to feel alive

But it makes us who we are
Tonight,
Every battle, every scar
We are warriors
Hear us shouting from our hearts
This is who we are

We will travel near and far
For the thousand wars
Hear us screaming from our hearts
This is who we are
Aaaaare,
Aaaaare,
This is who we are

We play with fire
We laugh and cry
We taste the dark to see the light

We're wild and free
Without a clue
We put our trust in someone new

But it makes us who we are
Tonight,
We are warriors
Hear us shouting from our hearts
This is who we are

We will travel near and far
For the thousand wars
Hear us screaming from our hearts
This is who we are
Aaaaare,
Aaaaare,
This is who we are

Every battle, every scar
We are warriors
Hear us shouting from our hearts
This is who we are

We will travel near and far
For the thousand wars
Hear us screaming from our hearts
This is who we are
Aaaaare,
Aaaaare,
This is who we are

Мы делаем ошибки
Мы воскрешаем снова
Мы выбираем путь, мы не должны принимать

Мы нарушаем правила
Мы переходим границы
Этого просто достаточно, чтобы чувствовать себя живым

Но это делает нас теми, кто мы есть
Сегодня вечером,
Каждый бой, каждый шрам
Мы воины
Услышь звуки наших сердец
Это мы и есть

Мы будем путешествовать близко и далеко
Для тысяч войн
Услышь звуки наших сердец
Это мы и есть
Aaaaare,
Aaaaare,
Это мы и есть

Мы играем с огнем
Мы смеемся и плачем
Пробуем темноту , чтобы увидеть свет

Мы дикие и свободные
Без подсказки
Мы уповаем на кого-то нового

Но это делает нас теми, кто мы есть
Сегодня вечером,
Мы воины
Услышь звуки наших сердец
Это мы и есть

Мы будем путешествовать близко и далеко
Для тысяч войн
Услышь звуки наших сердец
Это мы и есть
Aaaaare,
Aaaaare,
Это мы и есть

Каждый бой, каждый шрам
Мы воины
Услышь звуки наших сердец
Это мы и есть

Мы будем путешествовать близко и далеко
Для тысяч войн
Услышь звуки наших сердец
Это мы и есть
Aaaaare,
Aaaaare,
Это мы и есть

Смотреть далее | 17.05.2014 | Отправить ссылку друзьям

Сказка Ole the Tower-Keeper - Оле - хранитель башни [ Hans Christian Andersen ]

Сказка Ole the Tower-Keeper

In the world it’s always going up and down; and now I can’t go up any higher!” So said Ole the tower-keeper. “Most people have to try both the ups and the downs; and, rightly considered, we all get to be watchmen at last, and look down upon life from a height.”

Such was the speech of Ole, my friend, the old tower-keeper, a strange, talkative old fellow, who seemed to speak out everything that came into his head, and who for all that had many a serious thought deep in his heart. Yes, he was the child of respectable people, and there were even some who said that he was the son of a privy councillor, or that he might have been. He had studied, too, and had been assistant teacher and deputy clerk; but of what service was all that to him? In those days he lived in the clerk’s house, and was to have everything in the house—to be at free quarters, as the saying is; but he was still, so to speak, a fine young gentleman. He wanted to have his boots cleaned with patent blacking, and the clerk could only afford ordinary grease; and upon that point they split. One spoke of stinginess, the other of vanity, and the blacking became the black cause of enmity between them, and at last they parted.

This is what he demanded of the world in general, namely, patent blacking, and he got nothing but grease. Accordingly, he at last drew back from all men, and became a hermit; but the church tower is the only place in a great city where hermitage, office and bread can be found together. So he betook himself up thither, and smoked his pipe as he made his solitary rounds. He looked upward and downward, and had his own thoughts, and told in his own way of what he read in books and in himself. I often lent him books—good books; and you may know by the company he keeps. He loved neither the English governess novels nor the French ones, which he called a mixture of empty wind and raisin-stalks: he wanted biographies, and descriptions of the wonders of, the world. I visited him at least once a year, generally directly after New Year’s day, and then he always spoke of this and that which the change of the year had put into his head.

I will tell the story of three of these visits, and will reproduce his own words whenever I can remember them.

First Visit
MONG the books which I had lately lent Ole, was one which had greatly rejoiced and occupied him. It was a geological book, containing an account of the boulders.

“Yes, they’re rare old fellows, those boulders!” he said; “and to think that we should pass them without noticing them! And over the street pavement, the paving stones, those fragments of the oldest remains of antiquity, one walks without ever thinking about them. I have done the very thing myself. But now I look respectfully at every paving-stone. Many thanks for the book! It has filled me with thought, and has made me long to read more on the subject. The romance of the earth is, after all, the most wonderful of all romances. It’s a pity one can’t read the first volume of it, because it is written in a language that we don’t understand. One must read in the different strata, in the pebble-stones, for each separate period. Yes, it is a romance, a very wonderful romance, and we all have our place in it. We grope and ferret about, and yet remain where we are; but the ball keeps turning, without emptying the ocean over us; the clod on which we move about, holds, and does not let us through. And then it’s a story that has been acting for thousands upon thousands of years and is still going on. My best thanks for the book about the boulders. Those are fellows indeed! They could tell us something worth hearing, if they only knew how to talk. It’s really a pleasure now and then to become a mere nothing, especially when a man is as highly placed as I am. And then to think that we all, even with patent lacquer, are nothing more than insects of a moment on that ant-hill the earth, though we may be insects with stars and garters, places and offices! One feels quite a novice beside these venerable million-year-old boulders. On last New Year’s eve I was reading the book, and had lost myself in it so completely, that I forgot my usual New Year’s diversion, namely, the wild hunt to Amager. Ah, you don’t know what that is!

“The journey of the witches on broomsticks is well enough known—that journey is taken on St. John’s eve, to the Brocken; but we have a wild journey, also which is national and modern, and that is the journey to Amager on the night of the New Year. All indifferent poets and poetesses, musicians, newspaper writers, and artistic notabilities,—I mean those who are no good,—ride in the New Year’s night through the air to Amager. They sit backwards on their painting brushes or quill pens, for steel pens won’t bear them—they’re too stiff. As I told you, I see that every New Year’s night, and could mention the majority of the riders by name, but I should not like to draw their enmity upon myself, for they don’t like people to talk about their ride to Amager on quill pens. I’ve a kind of niece, who is a fishwife, and who, as she tells me, supplies three respectable newspapers with the terms of abuse and vituperation they use, and she has herself been at Amager as an invited guest; but she was carried out thither, for she does not own a quill pen, nor can she ride. She has told me all about it. Half of what she said is not true, but the other half gives us information enough. When she was out there, the festivities began with a song; each of the guests had written his own song, and each one sang his own song, for he thought that the best, and it was all one, all the same melody. Then those came marching up, in little bands, who are only busy with their mouths. There were ringing bells that rang alternately; and then came the little drummers that beat their tattoo in the family circle; and acquaintance was made with those who write without putting their names, which here means as much as using grease instead of patent blacking; and then there was the beadle with his boy, and the boy was worst off, for in general he gets no notice taken of him; then, too, there was the good street sweeper with his cart, who turns over the dust-bin, and calls it ‘good, very good, remarkably good.’ And in the midst of the pleasure that was afforded by the mere meeting of these folks, there shot up out of the great dirt-heap at Amager a stem, a tree, an immense flower, a great mushroom, a perfect roof, which formed a sort of warehouse for the worthy company, for in it hung everything they had given to the world during the Old Year. Out of the tree poured sparks like flames of fire; these were the ideas and thoughts, borrowed from others, which they had used, and which now got free and rushed away like so many fireworks. They played at ‘the stick burns,’ and the young poets played at ‘heart-burns,’ and the witlings played off their jests, and the jests rolled away with a thundering sound, as if empty pots were being shattered against doors. ‘It was very amusing!’ my niece said; in fact, she said many things that were very malicious but very amusing, but I won’t mention them, for a man must be good-natured, and not a carping critic. But you will easily perceive that when a man once knows the rights of the journey to Amager, as I know them, it’s quite natural that on the New Year’s night one should look out to see the wild chase go by. If in the New Year I miss certain persons who used to be there, I am sure to notice others who are new arrivals; but this year I omitted taking my look at the guests, I bowled away on the boulders, rolled back through millions of years, and saw the stones break loose high up in the north, saw them drifting about on icebergs, long before Noah’s ark was constructed, saw them sink down to the bottom of the sea, and re-appear with a sand-bank, with that one that peered forth from the flood and said, ‘This shall be Zealand!’ I saw them become the dwelling-place of birds that are unknown to us, and then become the seat of wild chiefs of whom we know nothing, until with their axes they cut their Runic signs into a few of these stones, which then came into the calendar of time. But as for me, I had gone quite beyond all lapse of time, and had become a cipher and a nothing. Then three or four beautiful falling stars came down, which cleared the air, and gave my thoughts another direction. You know what a falling star is, do you not? The learned men are not at all clear about it. I have my own ideas about shooting stars, as the common people in many parts call them, and my idea is this: How often are silent thanksgivings offered up for one who has done a good and noble action! The thanks are often speechless, but they are not lost for all that. I think these thanks are caught up, and the sunbeams bring the silent, hidden thankfulness over the head of the benefactor; and if it be a whole people that has been expressing its gratitude through a long lapse of time, the thankfulness appears as a nosegay of flowers, and at length falls in the form of a shooting star over the good man’s grave. I am always very much pleased when I see a shooting star, especially in the New Year’s night, and then find out for whom the gift of gratitude was intended. Lately a gleaming star fell in the southwest, as a tribute of thanksgiving to many—many! ‘For whom was that star intended?’ thought I. It fell, no doubt, on the hill by the Bay of Flensborg, where the Dannebrog waves over the graves of Schleppegrell, L?sloe, and their comrades. One star also fell in the midst of the land, fell upon Soro, a flower on the grave of Holberg, the thanks of the year from a great many —thanks for his charming plays!

“It is a great and pleasant thought to know that a shooting star falls upon our graves. On mine certainly none will fall—no sunbeam brings thanks to me, for here there is nothing worthy of thanks. I shall not get the patent lacquer,” said Ole, “for my fate on earth is only grease, after all.”

Second Visit
T was New Year’s day, and I went up on the tower. Ole spoke of the toasts that were drunk on the transition from the Old Year into the New—from one grave into the other, as he said. And he told me a story about the glasses, and this story had a very deep meaning. It was this:

“When on the New Year’s night the clock strikes twelve, the people at the table rise up with full glasses in their hands, and drain these glasses, and drink success to the New Year. They begin the year with the glass in their hands; that is a good beginning for drunkards. They begin the New Year by going to bed, and that’s a good beginning for drones. Sleep is sure to play a great part in the New Year, and the glass likewise. Do you know what dwells in the glass?” asked Ole. “I will tell you. There dwell in the glass, first, health, and then pleasure, then the most complete sensual delight; and misfortune and the bitterest woe dwell in the glass also. Now, suppose we count the glasses—of course I count the different degrees in the glasses for different people.

“You see, the first glass, that’s the glass of health, and in that the herb of health is found growing. Put it up on the beam in the ceiling, and at the end of the year you may be sitting in the arbor of health.

“If you take the second glass—from this a little bird soars upward, twittering in guileless cheerfulness, so that a man may listen to his song, and perhaps join in ‘Fair is life! no downcast looks! Take courage, and march onward!’

“Out of the third glass rises a little winged urchin, who cannot certainly be called an angel child, for there is goblin blood in his veins, and he has the spirit of a goblin—not wishing to hurt or harm you, indeed, but very ready to play off tricks upon you. He’ll sit at your ear and whisper merry thoughts to you; he’ll creep into your heart and warm you, so that you grow very merry, and become a wit, so far as the wits of the others can judge.

“In the fourth glass is neither herb, bird, nor urchin. In that glass is the pause drawn by reason, and one may never go beyond that sign.

“Take the fifth glass, and you will weep at yourself, you will feel such a deep emotion; or it will affect you in a different way. Out of the glass there will spring with a bang Prince Carnival, nine times and extravagantly merry. He’ll draw you away with him; you’ll forget your dignity, if you have any, and you’ll forget more than you should or ought to forget. All is dance, song and sound: the masks will carry you away with them, and the daughters of vanity, clad in silk and satin, will come with loose hair and alluring charms; but tear yourself away if you can!

“The sixth glass! Yes, in that glass sits a demon, in the form of a little, well dressed, attractive and very fascinating man, who thoroughly understands you, agrees with you in everything, and becomes quite a second self to you. He has a lantern with him, to give you light as he accompanies you home. There is an old legend about a saint who was allowed to choose one of the seven deadly sins, and who accordingly chose drunkenness, which appeared to him the least, but which led him to commit all the other six. The man’s blood is mingled with that of the demon. It is the sixth glass, and with that the germ of all evil shoots up within us; and each one grows up with a strength like that of the grains of mustard-seed, and shoots up into a tree, and spreads over the whole world: and most people have no choice but to go into the oven, to be re-cast in a new form.

“That’s the history of the glasses,” said the tower-keeper Ole, “and it can be told with lacquer or only with grease; but I give it you with both!”

Third Visit1
In this occasion I chose the general “moving-day” for my visit to Ole, for on that day it is anything but agreeable down in the streets in the town; for they are full of sweepings, shreds, and remnants of all sorts, to say nothing of the cast-off rubbish in which one has to wade about. But this time I happened to see two children playing in this wilderness of sweepings. They were playing at “going to bed,” for the occasion seemed especially favorable for this sport. They crept under the straw, and drew an old bit of ragged curtain over themselves by way of coverlet. “It was splendid!” they said; but it was a little too strong for me, and besides, I was obliged to mount up on my visit to Ole.

“It’s moving-day to day,” he said; “streets and houses are like a dust-bin—a large dust-bin; but I’m content with a cartload. I may get something good out of that, and I really did get something good out of it once. Shortly after Christmas I was going up the street; it was rough weather, wet and dirty—the right kind of weather to catch cold in. The dustman was there with his cart, which was full, and looked like a sample of streets on moving-day. At the back of the cart stood a fir tree, quite green still, and with tinsel on its twigs; it had been used on Christmas eve, and now it was thrown out into the street, and the dustman had stood it up at the back of his cart. It was droll to look at, or you may say it was mournful—all depends on what you think of when you see it; and I thought about it, and thought this and that of many things that were in the cart: or I might have done so, and that comes to the same thing. There was an old lady’s glove, too: I wonder what that was thinking of? Shall I tell you? The glove was lying there, pointing with its little finger at the tree. ‘I’m sorry for the tree,’ it thought; ‘and I was also at the feast, where the chandeliers glittered. My life was, so to speak, a ball night—a pressure of the hand, and I burst! My memory keeps dwelling upon that, and I have really nothing else to live for!’ This is what the glove thought, or what it might have thought. ‘That’s a stupid affair with yonder fir tree,’ said the potsherds. You see, potsherds think everything is stupid. ‘When one is in the dust-cart,’ they said, ‘one ought not to give one’s self airs and wear tinsel. I know that I have been useful in the world—far more useful than such a green stick.’ This was a view that might be taken, and I don’t think it quite a peculiar one; but for all that, the fir tree looked very well: it was like a little poetry in the dust-heap; and truly there is dust enough in the streets on moving-day. The way is difficult and troublesome then, and I feel obliged to run away out of the confusion; or, if I am on the tower, I stay there and look down, and it is amusing enough.

"There are the good people below, playing at ‘changing houses." They toil and tug away with their goods and chattels, and the household goblin sits in an old tub and moves with them. All the little griefs of the lodging and the family, and the real cares and sorrows, move with them out of the old dwelling into the new; and what gain is there for them or for us in the whole affair? Yes, there was written long ago the good old maxim: ‘Think on the great moving-day of death!’ That is a serious thought. I hope it is not disagreeable to you that I should have touched upon it? Death is the most certain messenger, after all, in spite of his various occupations. Yes, Death is the omnibus conductor, and he is the passport writer, and he countersigns our service-book, and he is director of the savings bank of life. Do you understand me? All the deeds of our life, the great and the little alike, we put into this savings bank; and when Death calls with his omnibus, and we have to step in, and drive with him into the land of eternity, then on the frontier he gives us our service-book as a pass. As a provision for the journey, he takes this or that good deed we have done, and lets it accompany us; and this may be very pleasant or very terrific. Nobody has ever escaped the omnibus journey. There is certainly a talk about one who was not allowed to go—they call him the Wandering Jew: he has to ride behind the omnibus. If he had been allowed to get in, he would have escaped the clutches of the poets.

“Just cast your mind’s eye into that great omnibus. The society is mixed, for king and beggar, genius and idiot, sit side by side. They must go without their property and money; they have only the service-book and the gift out of the savings bank with them. But which of our deeds is selected and given to us? Perhaps quite a little one, one that we have forgotten, but which has been recorded—small as a pea, but the pea can send out a blooming shoot. The poor bumpkin who sat on a low stool in the corner, and was jeered at and flouted, will perhaps have his worn-out stool given him as a provision; and the stool may become a litter in the land of eternity, and rise up then as a throne, gleaming like gold and blooming as an arbor. He who always lounged about, and drank the spiced draught of pleasure, that he might forget the wild things he had done here, will have his barrel given to him on the journey, and will have to drink from it as they go on; and the drink is bright and clear, so that the thoughts remain pure, and all good and noble feelings are awakened, and he sees and feels what in life he could not or would not see; and then he has within him the punishment, the gnawing worm, which will not die through time incalculable. If on the glasses there stood written ‘oblivion,’ on the barrel ‘remembrance’ is inscribed.

“When I read a good book, an historical work, I always think at last of the poetry of what I am reading, and of the omnibus of death, and wonder, which of the hero’s deeds Death took out of the savings bank for him, and what provisions he got on the journey into eternity. There was once a French king—I have forgotten his name, for the names of good people are sometimes forgotten, even by me, but it will come back some day;—there was a king who, during a famine, became the benefactor of his people; and the people raised up to his memory a monument of snow, with the inscription, ‘Quicker than this melts didst thou bring help!’ I fancy that Death, looking back upon the monument, gave him a single snow-flake as provision, a snow-flake that never melts, and this flake floated over his royal head, like a white butterfly, into the land of eternity. Thus, too, there was Louis XI. I have remembered his name, for one remembers what is bad—a trait of him often comes into my thoughts, and I wish one could say the story is not true. He had his lord high constable executed, and he could execute him, right or wrong; but he had the innocent children of the constable, one seven and the other eight years old, placed under the scaffold so that the warm blood of their father spurted over them, and then he had them sent to the Bastille, and shut up in iron cages, where not even a coverlet was given them to protect them from the cold. And King Louis sent the executioner to them every week, and had a tooth pulled out of the head of each, that they might not be too comfortable; and the elder of the boys said, ‘My mother would die of grief if she knew that my younger brother had to suffer so cruelly; therefore pull out two of my teeth, and spare him.’ The tears came into the hangman’s eyes, but the king’s will was stronger than the tears; and every week two little teeth were brought to him on a silver plate; he had demanded them, and he had them. I fancy that Death took these two teeth out of the savings bank of life, and gave them to Louis XI, to carry with him on the great journey into the land of immortality; they fly before him like two flames of fire; they shine and burn, and they bite him, the innocent children’s teeth.

“Yes, that’s a serious journey, the omnibus ride on the great moving-day! And when is it to be undertaken? That’s just the serious part of it. Any day, any hour, any minute, the omnibus may draw up. Which of our deeds will Death take out of the savings bank, and give to us as provision? Let us think of the moving-day that is not marked in the calendar.”

Смотреть далее | 17.05.2014 | Отправить ссылку друзьям

Текст и перевод песни Perfect day - Прекрасный день [ Duran Duran ]

Текст и перевод песни Perfect day - Прекрасный день. В исполнении Duran Duran [ видео внизу ]

Perfect day

Прекрасный день

Just a perfect day...
Drink sangria in the park
And later, when it gets dark
We go home
Just a perfect day...
Feed animals in the zoo
And then later, a movie too
And then home

It's such a perfect day...
I'm glad I spent it with you
Such a perfect day
You just keep me hanging on...
You just keep me hanging on...

Just a perfect day...
Problems all left alone
Weekenders on our own
It's such fun
Just a perfect day
You made me forget myself
I thought I was someone else
Someone new.

It's such a perfect day
I'm glad I spent it with you
Such a perfect day
You just keep me hanging on...
You just keep me hanging on...

You're gonna reap, just what you sow
You're gonna reap, just what you sow
You're gonna reap, just what you sow
You're gonna reap, just what you sow
You're gonna reap, just what you sow
You're gonna reap, just what you sow

Просто прекрасный день...
Пьем сангрию в парке,
А потом, вечером,
Мы идем домой.
Просто прекрасный день...
Кормим животных в зоопарке,
А потом — в кино,
Потом — домой.

Это такой прекрасный день...
Я рад был провести его с тобой
Этот прекрасный день.
С нетерпением жду твоего звонка...
С нетерпением жду твоего звонка...

Просто прекрасный день...
Проблемы остались в стороне.
Мы проводим выходные вместе,
Это так здорово,
Просто прекрасный день.
Ты заставила меня забыть о самом себе,
Я думал, что был кем-то еще,
Кем-то новым.

Это такой прекрасный день...
Я рад был провести его с тобой,
Этот прекрасный день.
С нетерпением жду твоего звонка...
С нетерпением жду твоего звонка...

Что посеешь, то и пожнешь...
Что посеешь, то и пожнешь...
Что посеешь, то и пожнешь...
Что посеешь, то и пожнешь...
Что посеешь, то и пожнешь...
Что посеешь, то и пожнешь...

Смотреть далее | 16.05.2014 | Отправить ссылку друзьям

Сказка Jack the Dullard An Old Story Told Anew - Джек Даллард - старая история, рассказанная заново

Сказка Jack the Dullard An Old Story Told Anew / Hans Christian Andersen

Far in the interior of the country lay an old baronial hall, and in it lived an old proprietor, who had two sons, which two young men thought themselves too clever by half. They wanted to go out and woo the King’s daughter; for the maiden in question had publicly announced that she would choose for her husband that youth who could arrange his words best.

So these two geniuses prepared themselves a full week for the wooing—this was the longest time that could be granted them; but it was enough, for they had had much preparatory information, and everybody knows how useful that is. One of them knew the whole Latin dictionary by heart, and three whole years of the daily paper of the little town into the bargain, and so well, indeed, that he could repeat it all either backwards or forwards, just as he chose. The other was deeply read in the corporation laws, and knew by heart what every corporation ought to know; and accordingly he thought he could talk of affairs of state, and put his spoke in the wheel in the council. And he knew one thing more: he could embroider suspenders with roses and other flowers, and with arabesques, for he was a tasty, light-fingered fellow.

“I shall win the Princess!” So cried both of them. Therefore their old papa gave to each of them a handsome horse. The youth who knew the dictionary and newspaper by heart had a black horse, and he who knew all about the corporation laws received a milk-white steed. Then they rubbed the corners of their mouths with fish-oil, so that they might become very smooth and glib. All the servants stood below in the courtyard, and looked on while they mounted their horses; and just by chance the third son came up. For the proprietor had really three sons, though nobody counted the third with his brothers, because he was not so learned as they, and indeed he was generally known as “Jack the Dullard.”

“Hallo!” said Jack the Dullard, “where are you going? I declare you have put on your Sunday clothes!”

“We’re going to the King’s court, as suitors to the King’s daughter. Don’t you know the announcement that has been made all through the country?” And they told him all about it.

“My word! I’ll be in it too!” cried Jack the Dullard; and his two brothers burst out laughing at him, and rode away.

“Father, dear,” said Jack, “I must have a horse too. I do feel so desperately inclined to marry! If she accepts me, she accepts me; and if she won’t have me, I’ll have her; but she shall be mine!”

“Don’t talk nonsense,” replied the old gentleman. “You shall have no horse from me. You don’t know how to speak—you can’t arrange your words. Your brothers are very different fellows from you.”

“Well,” quoth Jack the Dullard, “If I can’t have a horse, I’ll take the Billy-goat, who belongs to me, and he can carry me very well!”

And so said, so done. He mounted the Billy-goat, pressed his heels into its sides, and galloped down the high street like a hurricane.

“Hei, houp! that was a ride! Here I come!” shouted Jack the Dullard, and he sang till his voice echoed far and wide.

But his brothers rode slowly on in advance of him. They spoke not a word, for they were thinking about the fine extempore speeches they would have to bring out, and these had to be cleverly prepared beforehand.

“Hallo!” shouted Jack the Dullard. “Here am I! Look what I have found on the high road.” And he showed them what it was, and it was a dead crow.

“Dullard!” exclaimed the brothers, “what are you going to do with that?”

“With the crow? why, I am going to give it to the Princess.”

“Yes, do so,” said they; and they laughed, and rode on.

“Hallo, here I am again! just see what I have found now: you don’t find that on the high road every day!”

And the brothers turned round to see what he could have found now.

“Dullard!” they cried, “that is only an old wooden shoe, and the upper part is missing into the bargain; are you going to give that also to the Princess?”

“Most certainly I shall,” replied Jack the Dullard; and again the brothers laughed and rode on, and thus they got far in advance of him; but—

“Hallo—hop rara!” and there was Jack the Dullard again. “It is getting better and better,” he cried. “Hurrah! it is quite famous.”

“Why, what have you found this time?” inquired the brothers.

“Oh,” said Jack the Dullard, “I can hardly tell you. How glad the Princess will be!”

“Bah!” said the brothers; “that is nothing but clay out of the ditch.”

“Yes, certainly it is,” said Jack the Dullard; “and clay of the finest sort. See, it is so wet, it runs through one’s fingers.” And he filled his pocket with the clay.

But his brothers galloped on till the sparks flew, and consequently they arrived a full hour earlier at the town gate than could Jack. Now at the gate each suitor was provided with a number, and all were placed in rows immediately on their arrival, six in each row, and so closely packed together that they could not move their arms; and that was a prudent arrangement, for they would certainly have come to blows, had they been able, merely because one of them stood before the other.

All the inhabitants of the country round about stood in great crowds around the castle, almost under the very windows, to see the Princess receive the suitors; and as each stepped into the hall, his power of speech seemed to desert him, like the light of a candle that is blown out. Then the Princess would say, “He is of no use! Away with him out of the hall!”

At last the turn came for that brother who knew the dictionary by heart; but he did not know it now; he had absolutely forgotten it altogether; and the boards seemed to re-echo with his footsteps, and the ceiling of the hall was made of looking-glass, so that he saw himself standing on his head; and at the window stood three clerks and a head clerk, and every one of them was writing down every single word that was uttered, so that it might be printed in the newspapers, and sold for a penny at the street corners. It was a terrible ordeal, and they had, moreover, made such a fire in the stove, that the room seemed quite red hot.

“It is dreadfully hot here!” observed the first brother.

“Yes,” replied the Princess, “my father is going to roast young pullets today.”

“Baa!” there he stood like a baa-lamb. He had not been prepared for a speech of this kind, and had not a word to say, though he intended to say something witty. “Baa!”

“He is of no use!” said the Princess. “Away with him!”

And he was obliged to go accordingly. And now the second brother came in.

“It is terribly warm here!” he observed.

“Yes, we’re roasting pullets to-day,” replied the Princess.

“What—what were you—were you pleased to ob—” stammered he—and all the clerks wrote down, “pleased to ob—”

“He is of no use!” said the Princess. “Away with him!”

Now came the turn of Jack the Dullard. He rode into the hall on his goat.

“Well, it’s most abominably hot here.”

“Yes, because I’m roasting young pullets,” replied the Princess.

“Ah, that’s lucky!” exclaimed Jack the Dullard, “for I suppose you’ll let me roast my crow at the same time?”

“With the greatest pleasure,” said the Princess. “But have you anything you can roast it in? for I have neither pot nor pan.”

“Certainly I have!” said Jack. “Here’s a cooking utensil with a tin handle.”

And he brought out the old wooden shoe, and put the crow into it.

“Well, that is a famous dish!” said the Princess. “But what shall we do for sauce?”

“Oh, I have that in my pocket,” said Jack; “I have so much of it that I can afford to throw some away;” and he poured some of the clay out of his pocket.

“I like that!” said the Princess. “You can give an answer, and you have something to say for yourself, and so you shall be my husband. But are you aware that every word we speak is being taken down, and will be published in the paper to-morrow? Look yonder, and you will see in every window three clerks and a head clerk; and the old head clerk is the worst of all, for he can’t understand anything.”

But she only said this to frighten Jack the Dullard; and the clerks gave a great crow of delight, and each one spurted a blot out of his pen on to the floor.

“Oh, those are the gentlemen, are they?” said Jack; “then I will give the best I have to the head clerk.” And he turned out his pockets, and flung the wet clay full in the head clerk’s face.

“That was very cleverly done,” observed the Princess. “I could not have done that; but I shall learn in time.”

And accordingly Jack the Dullard was made a king, and received a crown and a wife, and sat upon a throne. And this report we have wet from the press of the head clerk and the corporation of printers— but they are not to be depended upon in the least.

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